This project was done by a group of architecture students (including myself) for an exhibition "IDEOLOGIES and IDEALS–Contribution to the research of the 20th century architecture in Vojvodina" in TheMuseum of Contemporary Art of Vojvodina.
For more information about the exhibition: 
http://www.msuv.org/projects/2010/arhitektura/arhitektura.html

Guy Ernest Debord (December 28th, 1931 - November 30th, 1994) was a French Marxist theorist, writer, filmmaker, member of the Letterist International, founder of a Letterist faction, and founding member of the Situationist International (SI). The Situationist International (SI) was an internationalist group of revolutionaries based mainly in Europe with very restricted membership. Founded in 1957, it reached its peak of influence in the May 1968 protests in France. Their theoretical work peaked with the highly influential book "The Society of the Spectacle" in which Guy Debord argued that the spectacle is a fake reality which masks capitalist degradation of human life.

Guy Debord’s Naked City, present the most radical departure from the grid. In reaction to the rational city models embraced by Parisian postwar planners in the 1950s, he and his colleagues co-opted the map of Paris, reconfiguring the experience of the city through its authority. By manipulating the map itself, they intervened in the logic of the city, constructing an alternative geography that favored the marginalized, and often threatened, spaces of the urban grid. Torn from their geographical context, these areas were woven together by arrows inspired by the itineraries of the drift or “dérive.” These “psychogeographic” maps proposed a fragmented, subjective, and temporal experience of the city as opposed to the seemingly omnipotent perspective of the planimetric map. As mapping is used as a tactic to bring together personal narratives about urban space, the Situationist maps provide a useful example of visualizing a subjective view of the city.

The central problem with these maps is not in the way in which they confront norms of cartography, but the duration to which they are bound. The ephemeral nature of psychogeographic space meant that these sites could quickly shift through the pressures of development. The Situationist maps in turn become an archive of a specific moment in the life of the city. However, if these maps incorporated time, they would be able to show the migration or disappearance of these psychogeographic spaces, highlighting and critiquing the urban trends that were / are shaping the city.

The map under represents the utopian plan of the city of Novi Sad in Serbia. The idea was to leave the old city center of Novi Sad and around it add parts of other famous European cities such as Rome, Lisboa, London etc. Connecting these parts of few cities into one made this new city a combination of cultures and places. All the parts are connected with channels which is something taken from Amsterdam. All the parts of the city are connected with various kinds of transportation. Also there is more then one way to get from every point A to every point B. This way of planning a city allows its' inhabitants to change their path every day and to feel like something around them is always changing. In every part of the city there are many institutions that are involved in creative work. People in this city enjoy their jobs and love going to work every day, because they are doing the things they love and that inspire them. 

This short movie speaks about Guy Debord and some of his principles. It shows pictures from 1950s, the time when Situationist were at the peak. The man in the video speaks about revolution in art schools that happened in Paris in 1968. After this it is shown how every person in this world can be creative in every day life. The age doesn't matter, the gender doesn't matter, everyone can be and is creative, we just need to find a way to show our creativity to the world. Besides that every person has its' own path and creates his own way through life. 

The message of the video is "KEEP ON DISCOVERING" because that is something that will keep you alive and make you feel you are important in this world.

The logo "Think Creative - Live Ludens" represents the way Situationist wanted the world to function. In their opinion all the people in the world were homo ludens, beings that are in need of creativity each and every day. Creative work is the thing that keeps them alive and functioning.